
Over the past thirteen years I've made several attempts at newspaper syndication. For those unfamiliar with the process, a syndicate is a company that sells and promotes comic strips (and other features) to newspapers, and splits the profits with the creator.
Syndicates typically receive thousands of unsolicited comic strips each year and can usually only afford to pick up and promote a few. Here's a sampling of my additions to their slush piles since 1994, in semi-chronological order. (Any of the images in this post can be clicked on to view a larger version)
Q-Hall
The story of a college dormitory full of young men and their exploits as brand new freshmen. (I don't have samples of the earliest ones, they're probably in a box somewhere and I'll be sure to post them if and when they are recovered.)
Zag
Similar to Q-Hall, but focusing on two recently graduated roommates and their attempts to make it in the real world. Zag was the name of the less-responsible, Oscar Madison-esque one.
Jim the Wonder Dog
This strip focused on a mad scientist and his dog-brained creation. There was also a love triangle involving the scientist's lab assistant. Jim also had ears like a dog.
The Further Adventures...
Captain Adventuresome, part-time superhero, part-time HMO claims adjuster. His boss is his former arch-enemy, his managers are demons from another dimension. This one was submitted around 1997, and one editor made sure to tell me he didn't see much of a future for the superhero genre among the general population.
My Evil Twin
Two high school-aged twin brothers: one's popular, one not so much.
Something about a zoo (I forget the title)
A comic strip about a zookeeper and her animals.
(Some of these were rejected for good reason, though all of them certainly had more potential than the stack of generic form letter rejections* gave me credit for.)
Bob's Honest Truth
A question & answer strip, in a larger format like you see in weekly alternative papers.
Something about a bunch of high school teachers
The art teacher's name was Mr. Crayon and the principal looked like a gorilla. That's all I remember.
Childhood's Zen
A one-panel cartoon with no recurring characters, about childhood and kid stuff.
Amos
A semi-autobiographical strip about a stay at home dad and his infant son.
Suitable for Framing
Another large format strip, this one was completely miscellaneous, though it did have a couple of recurring characters like Ace Poorman: Poverty Stricken Detective.
Lhakpa
The story of a sherpa exchange student and his adventures in America. A surprisingly shallow concept when it comes to attempting to wrap a comic strip around it, though the characters had potential.
Contemporary Commuting
A hapless bus rider and his travails. This one was actually published for a few months in a corporate newspaper.
Watson Elementary
This one focused on an elementary school and had a rather ambitiously large cast: an elderly school teacher who'd returned from retirement, a handful of kids, a sprinkling of other teachers, and a hamster. Watson Elementary was by far my favorite to write and draw up to that point. However, once the syndicates tell you no, there's really not much for a cartoonist to do but retool it or move on. Most of these were created in the days before I was very internet savvy, so the notion of producing them for an online audience wasn't even a consideration.
Words to Live By
A daily word definition followed by it being used in a situation.

Something about a 32 year old who returns to live at his parents house
This one didn't make it much further than the concept, some writing, and a few roughs. Before I ever begin to draw a strip, I typically write around 200 samples, and then winnow those down to the best 24 to drawn and submit for consideration.
Something about a tortoise and hare
They're roommates. The hare is dumb, the tortoise is a community college professor. The hare works for a robot at a fast food restaurant called Taco Village. Also there's a girl involved somehow.
The Laugh-Out-Loud Cats
I actually inherited this one and now offer it directly to the public through the wonders of paypal. And, despite accusations of "cashing in on the meme", I've immensely enjoyed producing it and have no plans of stopping anytime soon.
Several more samples of my rejected strips can be seen here, and I'll update it as I come across them in the archives.
*Not to sound bitter, I know the syndicates receive a deluge each year, so it's not very realistic to expect much. The one shining exception to this was King Features' Jay Kennedy. A true gentleman and fan of comics, he tragically passed away earlier this year. His rejection letters always included a hand-written note with insightful comments. He was always encouraging when 99% of the other syndicates were satisfied to send a form letter. Sometimes even a photocopy of a form letter.
Saturday, July 28, 2007
Cavalcade of Comics
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3:44 PM
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Most of these are better than alot of the strips we're cursed with today. I mean "Mary Worth" is still around?? WTF?
ReplyDeleteBut if you'd gotten one of these syndicated then we might not have had Pip & Kitteh.
(something karma something yada yada)
word verification: pfugowv
either a curse word or a comix sound effect
Ugh, I feel for you so hard I bruised.
ReplyDeleteAs a writer, I've been down that road. And down it. And then back. And then returned down it.
It's such a strange feeling, offering something to someone, having the most sterile and passing "no" thrown at it, leaving you to go "Um... so, no because you don't like the title? Or no because you hate the entire thing?" The few and far between editors and agents who actually offer advice are gems.
Recently, because of the intertube, agents and editors have started accepting electronic submissions, which I LOVE. Cheap! Clean! Instant! Except: a group of them warn that they will respond by not responding at all. You read right. This happened to me recently where an agent really like my novel but didn't want to take on the genre this year. Instead, he suggested, why don't I ask his friend if she wants it? He advised me to tell her that he had sent me. I did and never heard back from her. Now, not long ago, this meant you could sent another query and ask if they had even received the document. Now, she has a website that says, "Do not re-submit or inquire about manuscripts: if I did not respond, then I probably don't want it."
What? I'm going to start using that tactic in daily conversation.
Hal: "Do you want to pay this bill?"
Me: (silence)
Hal: "I will assume that means that you do not want to, and cease any further inquiry."
-Subspace
I thought silence usually implies consent, at least if history is to be believed.
ReplyDeleteAlso, I didn't post this to garner sympathy (though I appreciate it), but I think it's helpful to some cartoonists who think you can just waltz into syndication without any effort or craft.
I've heard that a large portion of the submissions received by syndicates are shoddy (physically shoddy, like original drawings or notes and sketches) and poorly thought.
Also, say hi to Hal for me. His silence will be confirmation enough that he received my greeting.
I think you're a talented artist. I do like your artistic renditions of the Laugh-Out-Loud Cats. Your works are definitely more entertaining than many of the comics produced...I mean, how did Family Circus and Marmaduke ever have such a long run?!
ReplyDeleteGood luck with the syndication effort. Don't give up.
Good work! I'm just glad to see your persistent. I read the book, "Your Career in the Comics" and went through all the necessary steps to be considered for syndication. I even had a nice presentation but my skills still were not adequate, which is fine since I only attempted it once. I think the syndicated world is a tough market because even when the amazing artists die, their comics continue to run. It's pretty hard to compete with a dead guy. Anyways, best of luck with your continued efforts. I bet you'll score a contract eventually, you seem to be a pretty talented guy. You can see my sad attempts at syndication here http://www.lancefry.com/Comics/newcomic08.html
ReplyDeleteThe stats are awful and only comparable to being a gag cartoonist. King Features get 5000 submissions a year. They launch 3 cartoons a year. I've been full-time for 8 years and made many submissions and finally got accepted and will be distributed, but it doesn't end there. Getting a new strip in a newspaper is a struggle - declining ad revenues means less space and editors hate to make changes on the comics pages which inevitably incur the wrath of readers.
ReplyDeleteBut I'm still psyched to be syndicated - living the dream!
Alex
Congrats Alex! That's really great. It's good to know they actually do pick up new strips each year. I wish it was like the old days when papers sold on the basis of which comics were contained within.
ReplyDeleteLance, you have skills! I really like your color sense and style.
Very original!!
ReplyDeleteThe only reason I was getting a newspaper at all, after awhile, was for the funnies -- but there are so few that I enjoy anymore, that it's not worth it. At this point, I gets my funnies from the web -- and not that many (although I'm often trolling for the old favorites). Your site is the only one I check every day. If you want to add more of your rejected strips, I'd be glad to enjoy them for you :) -- and occasionally give you money for a cartoon or a zazzle-thing. I know it's not the same as being syndicated -- especially from a financial standpoint, but for me at least my money'd be going to the artist more or less directly, which I personally prefer. I appreciate, too, that apparently hundreds of people are willing to pay you money for an original, and that the rest of us can enjoy the online versions of them. Lots of mini-patrons of the comical arts providing enjoyment for so many. It's pretty cool.
ReplyDeleteI read "Your Career in the Comics" as well. That's one discouraging book. And it's getting a bit out of date. Still, it's a good read. I've actually been trying to develop a strip for syndication consideration - http://the3rdestate.blogspot.com/ - but it's not very good and I'm gonna scrap it soon in favor of a better idea. I'm still not sure if I'm going to send this one in just for fun or not. Anyway, my other blog http://ctasch.blogspot.com/ has my thoughts on this stuff and other things related to comic strips - but webcomics fans probably won't like some of it much.
ReplyDeleteGood luck with the syndication stuff - keep writing.